Paris 1925 - Salle De Bain — French Art Deco Bathroom Print, Paris 1925
Paris 1925 - Salle De Bain — French Art Deco Bathroom Print, Paris 1925
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About our restored prints
About our restored prints
Expertly restored: tears and stains are fixed, original clarity and depth of color are thoughtfully revived.
- Printed on museum-quality fine art paper
- Archival inks for long-lasting color
- Professionally color-calibrated
- Most framed prints ship unassembled for safety. Assembly is simple.
Shipping & Return Policy
Shipping & Return Policy
Classic Prints/Framed prints: 1-2 weeks
Frames & Decor: 2-3 weeks
Custom Frames: 2-3 weeks
Returns within 2 weeks.
Custom Framed prints are hand assembled and cannot be returned.
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This plate depicts a bathroom conceived at the scale of a Roman bath — a columned hall of white marble and polished gold whose four massive cylindrical columns support a coffered skylight of gilded latticework and blue glass. The composition is restrained: a near-total white palette interrupted only by the gold column capitals, the geometric blue ceiling panels, and two bold spotted animal-skin rugs that introduce the room's sole organic note. The sunken bath at center and the tall narrow stained glass windows along the rear wall complete a room that appears to be civic.
Why We Picked It
The four white columns are the dominant structural element, their scale transforms what is nominally a private room into something closer to an antechamber or hall of state. The coffered skylight is drawn with particular precision: a gold grid enclosing blue triangular glass panels that function simultaneously as architectural detail and decorative surface pattern. The spotted animal-skin rugs on the white marble floor are the most unexpected element in the plate, they introduce tactile and a controlled exoticism into an otherwise wholly geometric and mineral composition, and they prevent the room from reading as cold.
Notable Context
The monumental bathroom was a specific aspiration of the Art Deco period, fusing the hygiene culture of the early 20th century with the aesthetic vocabulary of ancient Rome. Steam rooms, plunge pools, and heated marble were being incorporated into the most ambitious private residences of the 1920s, evidence of a broader cultural rehabilitation of the body as a subject of design attention. For a French diplomatic interior, devoting this architectural scale to a bathing room was a statement: that France's private culture of refinement was as worthy of display as its public architecture. The reference to ancient Roman thermae is deliberate — the columns, the skylight, the sunken bath, and the sheer room volume all locate this space in a centuries-long tradition of the bath as a social and architectural institution.

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