LUXE EDITION
Glass and Powder: British Chemical Pigments, 19th Century
Glass and Powder: British Chemical Pigments, 19th Century
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Shipping & Return Policy
Shipping & Return Policy
Print delivery: 1-2 weeks
Framed prints and decor: 2-3 weeks
Returns within 2 week.
Framed prints are custom assembled and cannot be returned.
See policies in the footer.
Luxe vs. Classic Prints
Luxe vs. Classic Prints
Luxe Prints – Premium prints on a variety of high-end fine art paper options and frames for a sophisticated presentation. Some fit standard frames, while others maintain non-standard historical proportions.
Classic Prints – Affordable, high-quality prints with a smoother finish for sharp detail designed to fit off-the-shelf frames. Classic prints have the word 'classic' above the title and a letter which shows the sizes that the print comes in. Size A– 4x6", 12x18", 16x24", 20x30" B– 6x8", 9x12", 12x16", 18x24", 24x30" C– 8x10", 16x20"
A still life of pigments and apothecary bottles in a 19th-century French print captures a scientific tableau with the precision of a botanical illustration and the elegance of shop display. The saturated powders in rose pink, brilliant yellow, and cobalt blue shown in delicate mounds in glass dishes and goblets look like confectionary instead of chemicals. The tidy rows are both for aesthetics and retail necessity but rarely seen today for industrial materials.
Why We Picked It
The clarity of line, the balance of form, and the rich yet restrained palette all work together to create a soothing print. The unusual presentation of pigment in wine glasses is an unexpected compositional device. A traditional black wood and gold inlay frame adds depth and contrast that creates a formal border that contrasts with the sensual materiality of the powders.
Notable Context
The artwork was created for the Exposition Universelle, the 19th-century world’s fair that showcased industrial, artistic, and scientific innovation from across the globe. "Classe IV" refers to the section dedicated to chemical products and colorants, a booming field in England during the Industrial Revolution. Synthetic dyes and chemical processes were transforming manufacturing, and this print served as both documentation and visual celebration. The arrangement echoes the influence of Enlightenment-era taxonomy, where beauty and function merged in ordered displays. The choice to render British contributions in such vivid form reflects France’s ongoing interest in and rivalry with English industrial and scientific prowess.
About the Publisher
Noblet et Baudry, the publishers, were active in the mid-19th century and are known for their finely printed chromolithographs documenting the international exhibitions of the era. Their works were not only artistic achievements but also valuable records of industrial and commercial progress. The lithographer credited here, Lamoureux, was based in Paris and contributed to the exceptional detail and color fidelity that make this print feel almost modern in its crispness. Together, they captured a moment when design, science, and display culture converged.
Understanding Our Print Sizes
Understanding Our Print Sizes
Historical prints vary in proportion based on their original format. Whenever possible, we match them to the closest standard size, using common print ratios like 2:3 (e.g., 8x12) or 3:4 (e.g., 9x12). However, resizing some prints can distort the artwork's integrity, so we can only offer them in their original proportions. Additionally, we use different printers for our product lines, and not all sizes are available with every printer.









