◇ Exposition 1900: Exoticism and Display

A color lithograph created for the 1900 Exposition Universelle in Paris. It shows four women gathered around a palm reader, framed by rich textiles and patterned backgrounds.

Why We Picked It
The composition is carefully arranged, with curved lines and layered figures that guide the eye around the scene. Bold color contrasts—bright reds, pale greens, deep blacks and browns—create a sense of depth and texture. The decorative patterns on the clothing and background reflect the Art Nouveau style, while the subject matter draws on popular interest in “exotic” cultures. The image feels staged yet like an intimate scene from a play.

Notable Context
This print was part of the broader visual culture of the 1900 World’s Fair, where colonial displays and decorative arts from around the world were a major draw. Itreflects both Japonisme and Orientalism, both of which were widespread in European art at the time. French artists and audiences were fascinated by Japanese prints and imagery from Asia, often reinterpreting them through a European lens. Sometimes works were shaped more by imagination and popular culture than direct experience. 

The poster has a revenue stamp. In 1881, France enacted a law requiring that all posters displayed in public spaces bear a revenue stamp to indicate that a fee had been paid for the right to post them. This measure was part of a broader effort to regulate advertising and ensure that public spaces were used appropriately. 

The revenue stamps, known as "timbres fiscaux", were affixed to posters to signify that the necessary tax had been paid.The amount of the stamp often corresponded to the size of the poster, with larger posters requiring higher-value stamps.